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Convincing

from Madness & Extinction by Seeming

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    Seeming's cavernous music fuses masterful songwriting with explosive and strange passion. The electronic duo's debut Madness & Extinction is a foreboding opus, equal parts chaotic rage and melodic sweetness. Standout tracks "The Eyes of Extinction" and "Goodnight London" are essentials on any 2014 mixtape for the black-clad set, and "The Burial" is the bleakest pop single you'll ever dance to. Seeming's members are both veterans of acclaimed darkwave act ThouShaltNot: Alex Reed (author of Assimilate: A Critical History of Industrial Music) and drummer Aaron Fuleki. A post-gothic meditation on insanity, history, and the earth in crisis, Madness & Extinction announces the bold arrival of Seeming.

    Includes unlimited streaming of Madness & Extinction via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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lyrics

Desert grows with hopes of kissing the jungle's coolness to breathe in through the wet sand. But dead land's where all the vectors steer, Now the desert's here and she's drowning in chaos. How strong the hangman's hands become with revolution's swarming buzz, and as the fortress crumbles he is all the upholds what there was. And without the black hood and the gallows to pronounce his silent name, he'll be reborn: another hangman for the new regime. What does the washed up actress turn to when her lines are cutting room debris? She charms a field commander, steals the secret plots of World War three. And batting childish eyes, she's feigning drunken sloppiness while giving green-light clearance to the death machines in Washington D.C. and where do I go now that life has come tied me to the mast? The sirens' voices calling "Alex, can't you hear us? Don't sail past this starving magic. Don't pretend that you don't care." But I whisper, "Art is less than life itself." I'm really quite convincing.

credits

from Madness & Extinction, released March 11, 2014

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Seeming Ithaca, New York

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SEEMING:

post-gothic
post-human
post-everything

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