Seeming's cavernous music fuses masterful songwriting with explosive and strange passion. The electronic duo's debut Madness & Extinction is a foreboding opus, equal parts chaotic rage and melodic sweetness. Standout tracks "The Eyes of Extinction" and "Goodnight London" are essentials on any 2014 mixtape for the black-clad set, and "The Burial" is the bleakest pop single you'll ever dance to. Seeming's members are both veterans of acclaimed darkwave act ThouShaltNot: Alex Reed (author of Assimilate: A Critical History of Industrial Music) and drummer Aaron Fuleki. A post-gothic meditation on insanity, history, and the earth in crisis, Madness & Extinction announces the bold arrival of Seeming.
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lyrics
Can I kill the lights. Shut off the energy? 'Cause the world is my windmill: it's my enemy. Can I kill the voice that babbles me to sleep, warning me that this process never ends? I'll be talking when I am dead and soil and the sound will remain when I carbonize to oil. It's the ecstasy of flying miles above the hungry war. It's the fear of concentration pulling me away once more. It's the reason that I'm lying to you, why I can't sit still. It's the vaguest implication joining this world to my will. And I don't think I can make this stop, though everything could change in the world up top. Behind my skin blares a spoken song. though everything could change, it will echo on and on. I'm a radio tuned to white noise in between. What was hissing in the foreground is now a backdrop screen, and should a signal emerge within this cloudy stream, would it trickle a message that I trust? Can I know that a soothing word's not just the beginning of more grey noise to fill the dream? There's uncertainty with every face I think I've seen before. There's an endless second guessing what's behind my bedroom door. There's no doubt that every blade of glass feels urgency to speak. There is no writing on the wall in braille through foothills of concrete. I'm no hallucination. Watch out: your vision lies. For every Coelacanth reborn, nine hundred oceans die. I know the truth is waiting somewhere behind the eyes. It narrates beyond the story's end. Books locked from the inside: "Dream never in a dream. You are all I need." Your window wide, your soul outside, thrown fast and run far. You're not Alone, you're higher flown than boys with one heart. Stare at the sun. I'm everyone, I'm bone and feather. I float above the borders of now and forever.
supported by 178 fans who also own “Everything Could Change”
It's uncanny just how good Actors is at emulating that Post-Punk synth sound from my younger days.
Each listen just gets better and better. I feel slightly ashamed for not having heard this album until a few short days ago. modestwriggles
supported by 177 fans who also own “Everything Could Change”
This album should be ranked very high in ranks of latest industrial albums, because it just crushes the competition. THIS is how it's done people. Menacing vocals, pounding drums and haunting electronics have no mercy on your ears and leave you with not one second of peace. Play this loud and do people around you a service.
FLESH MECHANIC
supported by 162 fans who also own “Everything Could Change”
That devastating and frightening atmosphere is mesmerizing. Probably the only DWIFH album I fell in love with. Expiring Time, The Unclean, Threadbare, Downpour, At Rest - these all are my favorites. Val Levitsky
A stellar cast of artists put their own shadowy spins on recent Bestial Mouths material—toward the goth club floor or into pure noise. Bandcamp New & Notable May 11, 2021
Darkwave synth that directly addresses our modern dystopian political environment, with proceeds going to the Voting Rights Project. Bandcamp New & Notable Oct 17, 2018
supported by 159 fans who also own “Everything Could Change”
Saw Kanga last night in Houston , instantly was entranced by her sound , sucked me into the Kangakult vortex , so glad I got to see her live , should have looked into her sooner as Gary Numan was so supportive of her on the Revolution tour , oh now it’s time to catch up and get further involved Callum Gray